"It’s exciting to find an unsigned band who are on the verge of making it... Musically, the duo’s writing contributions merge seamlessly into the group sound, which is heavily indebted to the catchy and unfettered pop/rock of the new wave era, such as the Pretenders, the Romantics, and the Plimsouls. Not merely a retro act, however, the tight and punchy sound of the shapes is also a product of today’s post-alt indie-rock grit. A good band like the Shapes will certainly get snatched up soon"
- Popmatters
"The Shapes started things off with a blazing set of catchy rock. I loved their blend of male/female vocals and thought their guitar work and rhythm section really stood out. Of the five bands that played the show last night, these guys are the most immediately ready for mass consumption."
- Earfarm (Live review at CMJ)
"If The Shapes can continue forth on the path they're on now, they'll be well on their way to success in no time. The opening track on the EP is the single, "Dreaming of an M16," which features bouncy drumming, complementary dual vocals, and an infectious bassline that will be stuck in your head all day long"
- Redefine Magazine Feature
"The head-bobbing garage-rock style of Dreaming of an M16 is catchy and yet gritty, but what lends the song its real spark is this edgy synth line that warbles and spits at you from the background. The combination of male and female vocals both with a hint of sultry come-on style also shine on this highly professional-sounding track. Theres also some blazing guitar near the tracks end that I especially like."
- Delusions of Adequacy
"The Shapes got the night started with one of their best songs, the ultra-catchy "Monster," which uses a bouncy guitar riff and a synth line that sneaks up on you to great effect. Singers Mark Allen and Tonia Samman shared vocal duties and harmonized well throughout the set. Allen and Samman were at their best on "Dreaming of an M16," a track that would have fit perfectly in the annals of CBGB's before it closed. Behind a throbbing bass line and wailing guitars, the pair traded flirtatious banter, mixing grit with glee and sending the crowd into a pop-rock tizzy"
- MP3.com (Live Review)
"They often resemble the Pixies in their infectious melodies and surf music infatuation, but manage to rock a little harder in the process, verging on X’s Americana-punk while not stepping on any toes. Their frantic three guitar attack brings to mind early Dinosaur Jr and even hints of Daydream Nation-era Sonic Youth, except replacing the latter’s imposed dissonance with fuzzy hooks and blinding guitar solos reminiscent of a mid-seventies proto-punk band like Radio Birdman."
- Zig Zag Live
"Their music is catchy with rhythmic melodies and heartfelt lyrics. Listenting to The Shapes its hard not to get caught up in the catchy pop tunes."
- The Edge Underground
"Consider this album an aural representation of the yin-yang shape; it's all about balance. In the tradition of the Brunettes and the Raveonettes, the Shapes throw male and female vocals back and forth atop candy-coated guitar riffs. But there's grit underneath the sugar, and the minor keys lend a sense of melancholy. So while "Tunnel Vision" will have you gleefully dancing around your room as the chorus builds to a yell, "Monochrome"'s plaintive chorus will have you recording your angst in your journal. Great stuff."
- 75 or Less
"On a self-titled and self released CD, local band The Shapes evokes the peppy sounds of years past - from Blondie through The Strokes."
- Time Out New York
"Churning guitars and hard-rocking vocal hooks"
- Boston Globe
"Many of today's "Alternative" music success stories (i.e. the bands actually getting radio play) fall into three categories: outside of the prevailing Emo Pop, there's pretentious grandeur (like The Killers) or jaded, hipster "whatever"-ness (like The Strokes). New York City's The Shapes share traits with the two latter categories, but there is such a wide-eyed Pop buoyancy to their music, any notion of pretentiousness falls by the wayside. On the band's debut, seven-song EP, The Shapes connect the dots between Blondie and The Strokes, propped up by infectious, jovial hooks, bubbly rhythms and chiming down-stroke guitars. The band, like an Indie Pop Skynyrd, has three guitarists, but the six-stringers forgo engulfing walls of noise in favor of a more direct, spiky approach. For the vocals, co-frontpersons Tonia Samman and Mark Allen switch off and harmonize like a New Wave version of X."
- City Beat Cincinnati
Dreaming Of An M16 is such a perfect pop song, I just don't know how it hasn't been discovered by radio somewhere. Combining pulsing synth and crunchy guitar with a dual male/female vocal that sits somewhere between Joss Stone and the Arctic Monkeys (but better than both).
-1 Hits from Another Planet
"After getting their debut self-titled EP, the verdicts in that this band really DOES need to be known, and given their talent, we hope its only a matter of time. With all of the recycled indie rock out there, The Shapes are a welcome change. Their infectious basslines, jumpy grooves, and captivating dual vocals will get into your feet and make you itching to dance despite your best attempts to refrain."
- Redefine Magazine